Mandolin Orange & Charlie Parr
@The Heights Theatre

Saturday 4/13/2019 4:00 PM

 


     Mandolin Orange’s music radiates a mysterious warmth —their songs feel like whispered secrets, one hand cupped to your ear. This weekend you'll be able to experience this when they make their way to The Height's Theatre this weekend with guest country blues musician Charlie Parr. NPR (National Public Radio) says “Mandolin Orange is a slow-burning, steadily rising folk duo...they've mastered a largely acoustic sound that exudes gentle elegance.” "Engineered to settle worried minds, slow the blood and lend an empathetic ear" with "songs about life lessons that feel lived-in and hard-won."
     The North Carolina duo have built a steady and growing fanbase with this kind of intimacy, and on Tides of A Teardrop, that came out in February, it's more potent than ever. They describe this album, by all accounts as their fullest, richest, and most personal effort. You can hear the air between them—the taut space of shared understanding, as palpable as a magnetic field, that makes their music sound like two halves of an endlessly completing thought. Singer-songwriter Andrew Marlin and multiinstrumentalist Emily Frantz have honed this lamp glow intimacy for years.

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     On Tides of A Teardrop, Marlin wrote the songs, as he usually does, in a sort of stream of consciousness, allowing words and phrases to pour out of him as he hunted for the chords and melodies. Then, as he went back to sharpen what he found, he found something troubling and profound. Intimations of loss have always haunted the edges of their music, their lyrics hinting at impermanence and passing of time. But Tides of A Teardrop confronts a defining loss head-on: Marlin's mother, who died of complications from surgery when he was 18.

These songs, as well as their sentiments, remain simple and quiet, like all of their music. But beneath the hushed surface, they are staggeringly straightforward. “I’ve been holding on to the grief for a long time. In some ways I associated the grief and the loss with remembering my mom. I feel like I’ve mourned long enough. I’m ready to bring forth some happier memories now, to just remember her as a living being."  

“This record is a little more cosmic, almost in a spiritual
way—the space between the notes was there to suggest all those empty spaces
the record touches on,”


     For this album, Marlin and Frantz enlisted their touring band, who they also worked with on their last album Blindfaller. Having recorded all previous albums live in the studio, they approached the recording process in a different way this time. “We went and did what most people do, which we’ve never done before—we just holed up somewhere and worked the tunes out together,” Frantz says. There is a telepathy and warmth in the interplay on Tides of A Teardrop that brings a new dynamic to the foreground—that holy silence between notes, the air that charges the album with such profound intimacy. “This record is a little more cosmic, almost in a spiritual way—the space between the notes was there to suggest all those empty spaces the record touches on,” acknowledges Marlin. There are many powerful ways of acknowledging loss; sometimes the most powerful one is saying nothing at all.

Mandolin Orange & Charlie Parr
The Heights Theatre
339 W 19th St.
Houston, TX
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Saturday 4/13/2019 4:00 PM
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